KPC Presents David Bromberg Quintet

4/4/20
7:00 pm
Fuller Hall, St. Johnsbury Academy

Location:
Fuller Hall
St. Johnsbury Academy
1000 Main St.
St. Johnsbury, VT

Tickets: $48, $38, $28, $15. Students free
Ticket prices do not include any applicable fees or sales taxes.

Save 20% when you buy by March 5. Discount is automatically reflected when you choose your seats.

Seniors and Catamount Arts members save $3.00 when ordering in person with id at the box office.

For Americana music godfather, David Bromberg, it all began with the blues. Bromberg’s incredible journey spans five-and-a-half decades, and includes – but is not limited to – his adventures with Bob Dylan, George Harrison, Jerry Garcia, and music and life lessons from seminal blues guitarist Reverend Gary Davis, who claimed the young Bromberg as a son.

A musician’s musician, Bromberg’s mastery of several stringed instruments (guitar, fiddle, Dobro, mandolin), and multiple styles is legendary, leading Dr. John to declare him an American icon. Bromberg’s many other collaborations constitute a Who’s Who in music: Willie Nelson, Jerry Jeff Walker, Jorma Kaukonen, Tom Paxton, Richie Havens, Carly Simon, Sha Na Na, John Prine, Gordon Lightfoot, Kris Kristofferson and Rita Coolidge, Ringo Starr, The Eagles, Commander Cody, Country Joe McDonald, Leon Redbone and many others.

Bromberg’s guitar work remains a marvel; amped electric lead – both slide and fretted – and delicately powerful acoustic fingerpicking propel these songs with the same force that made him the go-to guy for acts ranging from the Eagles to Link Wray to Phoebe Snow. This is a man who can go full-on Chicago gutbucket with “You Don’t Have to Go” (a Bromberg original), then slay with the jazz inflections of Ray Charles’ “A Fool for You,” rendered here intimately solo.

Although Bromberg points out he’s not the same guitarist he was before his two decades away from performing and recording. “I play differently,” he says. “I can’t play as fast, but playing slower gives me more time to think about what I’m doing.”

Bromberg’s vocals cover a broad range: impassioned, vibrato-laden testifying; pew-jumping soul shouts; soft, confident, crooning; and, of course, his peerless raconteur chops (particularly in “You Been A Good Old Wagon”).